Tuesday, May 1, 2018

A Long-standing Legend (Young Bill Rogers) - Personality Profile


Shazad Ali image
“Music is my life and has always been my life ... it is difficult but it is what keeps me going,” said Roger Hinds, known as “Young Bill Rogers,” a Guyanese Calypsonian. For twenty-five years, he has been involved in competitive singing and does not plan to slow down anytime soon. Though there were challenges, he overcame them all, and kept his entertaining desires alive. Singing and writing songs for all genres of music, he is seen as a legend in the Calypso arena.
Born on August 15, 1971, no one could have imagined he would have made such an impact to calypso. Today he is a household name whenever a conversation about calypso begins.
Walking in the large footsteps of his father, Augustus Hinds, known as “Bill Rogers” who was the first international recording artist in Guyana in 1934, Hinds took up singing at the tender age of 10. “I grew up in a home where music was an established ingredient … I had a real likeness for music,” said Hinds.

As a teenager, Hinds participated in a local competition, ‘On Show Young Guyana’ where he sang his father’s most popular song, ‘West Indian Weed-Woman’, written in 1919. After finishing third in the competition, he was reincarnated.
Shazad Ali image - Interview day
His short stay in jail did not discourage him from following his dreams, and at the age of 21, he performed in front of large crowds in the Calypso, Chutney and Soca competitions across Guyana. Though he gained many followers, his mom Yvonne Farley will always remain his number one fan since her motivation caused him to make that bold step to stardom.
The success he has achieved in Calypso, Soca and Chutney monarch competitions has led to him receiving numerous awards. Adding to that, he is also a five-time Shanto (a competition that features a combination of calypso and folk music) winner. After winning many trophies, Hinds set his sights on the regional stage. He has performed in several Caribbean countries alongside many great entertainers, including the Calypso king of the world, Mighty Sparrow and Soca’s best, Machel Montano.

The singer is in awe of his achievements, especially after falling prey to a humorous yet sad mistake in one of his first calypso competitions. With a burst of laughter, Hinds said, “When I first started singing at competitions I hadn’t any experience … instead of me facing the camera I was singing sideways.” This according him resulted in his elimination from the said competition at the quarter finals stage.


Roger Hinds - Stabroek News Image
Another one of his memorable performances was when he won the Chutney monarch for the second time. “I honestly didn’t expect to win … I was so happy,” he said. “A negro man singing in Hindi, and even ‘screwing the bulb’ better than” his East Indian counterparts resulting in two victories. This, according to him showed that Africans and East Indians could live and laugh as one. Later that night, a man he called “Cha Cha” went to the stage to congratulate him. Speaking in an East Indian accent, Hinds said “he told me, ‘hey baya take this [$30,000]. You won a nice competition, you keep it up’ that made me feel elated.”
Hinds at 47 years old, is coping with the challenges of singing in Guyana, being a dedicated father of four, a husband and having a day job. Though all of these are challenging, he still finds time to perfect his beloved craft and remain a formidable competitor to his younger counterparts.
Though he enjoys working as a solo artiste, he confessed it is difficult to be a family-man and still find time to write music. He explained with a chuckle, “sometimes I am home and the children doing something, by the time I dig two holler on them, I have to go out.” However, his song, ‘I grading them bandits’ proves that he makes enough time to keep his calypso rhythm and rhyme in order to produce his master pieces.
Many new-comers into the calypso arena admire Hinds for the intelligence he portrays in his writing and the knowledge he has about Calypso. “He is a living legend and I appreciate to have competed with him at the calypso competition this year”, said Javinchi Thorn, Junior calypso Monarch 2018. He also hopes to emulate the icon in Hinds.
Hinds, in strong words, advised that as an artist one should not go begging for employment. “In fact, you should perfect your craft in a way that persons come looking for you,” he said. He believes that aspiring calypsonians should place themselves on demand, using international singers as reference.
His ability and intelligence was overt as he sat in an interview and craft a song around the setting. He is the holder of Diplomas in Social Studies and Industrial Relations from the Critchlow Labour College. He is also the writer of the book, ‘The life and works of Bill Rogers –and the Origin of Shanto Music.’ The book reflects on the life of his father and explains how the Shanto style music came into being. “It is strictly Guyanese in origin and gave us our own identity in the music arena. It which was written in 2008, funded by the Government of Guyana and was placed on displayed a Caribbean Festival of Arts (CARIFESTA), where it was sold out,” said Hinds. “Many people do not know the true influence my father had on Calypso music in Guyana, they think he is an ordinary man …. he is a legend.”
Although well-known for his entertaining calypso music, Hinds also participates in dramas both locally and internationally. He recently toured with Trinidad and Tobago’s (T&T) Kurt Allen, known for winning many forms of competition in T&T, including Calypso, Soca, Road March and Young King. The tour was an Edu-culture production, which was aimed at empowering youths around the Caribbean. He performed in dramas, written by Allen as the leading actor. Hinds said, “I am planning on having some more tours this year.” This plan is already becoming a reality since he is the only calypsonian selected for the United States of America (USA) independence celebration this year. There he plans to make an impact and infiltrate the Northern culture with Calypso music. He also hopes to use his platform to turn teenagers away from violence and wishes to oversee a government-funded program that can reduce crimes. Though he has not been contacted by the Guyana government, He was invited to give a motivational speech at the University of Guyana.
He also contributed a song to Caribbean Community (CARICOM) entitled ‘Unite to Stop Violence against Women’. The song which was written in 2009 was promoted to stop domestic violence. Roger Hinds did not stop there, as his humanitarian quality was also displayed in his release ‘suicide is not the answer’. This song, in 2016 rocked local and international airwaves, particularly USA and Canada.
Being so long in the game, Hinds’ passion is only growing more and he does not plan on suppressing that desire anytime soon. He was a finalist not only in this year’s Calypso competition, but also in the chutney and soca competitions as well. This feat was never before done by any artiste in Guyana in the same year. He is trying to get better as a performer.
“Everyone has a talent but you need to nurture that talent to see your dreams realized,” said Hinds. What speaks character of the man is that he plans to help youths discover and nurture their talent(s). He has already started with his beloved daughter, Diana, who shares his love for singing. Hinds said that being dedication is testimony to the legend he is today. The legacy of Young Bill Rogers continues—a long standing legend.




Participants

Take some time to enjoy some exceptional reviews on arts and culture entertainment from in and around Guyana. This compilation comes to you with the compliments of the 2018 Group 3 ("Hip Hop") of DPC2209 class of the University of Guyana, Turkeyen Campus.


We are:
Annesha Enoe - 1014448
Shennel Europe - 1011145
Shazad Ali - 1021373
Shawn Semple - 1024915
Shantelle Stanley - 1024350
Sheneca Castello - 1006717
Kofi Stephens - 1022123
Raphel Fraser - 1024029

   

A Walk Among Brilliance - Art Gallery review


Image from www.zinctop.com

Castellani House is located at the corners of Vlissengen Road and Home Stretch Avenue. It was designed by Caesar Castellani in 1882, and later named after him in 1993. Today it is now known as ‘The National Gallery of Art: Castellani House.’

Ohene Koama, a former Visual Arts teacher at the Mae’s Schools and the Charlestown Secondary School, begun working at the National Art Gallery as the curator’s assistant in August 2004. He later became the acting Curator in 2014.

The Gallery showcases a wealth of Guyanese fine art such as sculptures and paintings. Some 80 pieces are currently on display at the National Gallery. When visited, two exhibitions were on display, one called ‘We the People,’ which showcased artworks by Betsy Karim, Bryan Clarke and Michael Khan. The second was an exhibition of paintings by Maritza Perez. These shared the spotlight with the National Art Gallery’s regular exhibits which include works by notable Guyanese Artist like E.R. Burrows, Stephanie Correia, Stanley Greaves, Phillip Moore, Winslow Craig and others.

Maritza Del Carmen Perez Quimbaya’s exhibition had 19 pieces on display. I felt a sense of intimacy while observing the artist painting beautiful purple flowers on a wooden barrel. A person viewing the exhibition could have interacted with her, as the multitasking artist applied her craft in their presence.
Maritza, born in Bogota, Colombia, is the wife of the Chile’s Ambassador to Guyana, H.E. Mr Claudio Rachel Rojas. She grew up with the creative presence of art and was always motivated to explore her own creativity. Along with her natural abilities, Maritza studied at the National University of Colombia.

Speaking in English with a Spanish accent she said, “I love the collage type of art [pasting pieces of objects on a painting to represent part of the Art], since it is more natural.”
The Cultura India Sari or Indian Sari culture [translation] (2017) was breath-taking blend of different colours. It is one of Maritza’s more outstanding pieces, consisting of a partial painting clothed in a traditional Indian sari. The uniqueness of this piece of art added to its magnificence. Looking at the art-work, the idea portrayed was clearly understood.
I was impressed by the gallery’s simplicity, how was well-kept and how the works of art were properly displayed. The staff were very knowledgeable, enthusiastic and very helpful.

The building though well ventilated and filled with natural light, could benefit tremendously from a cafeteria or lounge. The gallery has stools on the ground floor to allow visitors to sit, study and or enjoy the artwork, a feature that is lacking on the second floor which house mostly sculptures.

A visit to the National Gallery of Arts was an enlightening experience. It is a must see if you haven’t done so as yet, or haven’t been in a while—trust me, you won’t regret it.



Opening Hours are: Monday to Friday 10:00hrs to 17:00hrs and Saturday 14:00hrs- 18:00hrs Admission: Free. Large groups can make reservations by phone, (592) 225 0579, and 225 6638, Fax: (592) 225 5078


Stars Shining Brighter - Music Video Review


Image from www.weedworldmagazine.org
Though it wasn’t a chart topper, Kendrick Lamar’s All the Stars has definitely been a staple track in my YouTube playlist since its release on 4th January. Based on and accompanying the end credits of the big-screen movie sensation Black Panther, the All the Stars music video is a spectacular depiction of the Marvel blockbuster.

There has been much grumbling about the song itself in the media, with persons claiming they expected much more from Kendrick. Hinting at “huge budgets to create mismatched team-ups no one asked for” in songs for comic book movies, Pitchfork.com said. They cotinued “If  All the Stars, the soundtrack’s first single featuring Kendrick and SZA, is an early indicator, Black Panther [The Album] is doomed to the same fate as its predecessors.”

Image from thatgrapejuice.net
Nonetheless, I found this video to be impactful in relation to the Afro-mystical theme portrayed by the Black Panther movie. SZA’s hook that goes “This may be the night that my dreams might let me know. All the stars are closer, all the stars are closer” speaks to the mystical plane that Tchalla visits during the ritual of his initiation as king of Wakanda. The imagery at these points were well constructed and placed to show a vast galactic plain, which emphasized the lyrics very nicely. The visuals in this feature, produced by Dave Meyers & the little homies, were exceptional in emphasizing the rich, colorful nature of African culture depicted in the movie. The most gripping part, for me, was when Kendrick was walking through the wilderness among the black panthers, dressed in a classic black leather jacket and head tie like a 1966 Black Panther organization member. Those who know of the Black Panthers from Oakland, what they stood for and witnessing the amount of ‘black power’ that emanates from the Black Panther movie, could definitely appreciate that segment.

(c) YouTube
I especially enjoyed their creative use of green screen, superb lighting and vivid computer-generated graphics to create stunning imagery. This combination, along with realistic setting and props really brought out the essence of a rural African village. The movie-like appearance and sleek camera work provided by rigs and dollies used, gives me the impression that no expense was spared. The production team really deserves a solid round of applause. In terms of visual effects, I don't see anything that could've been done better nor have I noticed any flaws.

It would be amiss of me to exclude the fact that there was no lawless behaviour or nudity displayed throughout the duration of the video. In my opinion, this important detail does good work to help dismiss the notion of Africans being savage and lude. Being a jumpstreet fan of the Black Panther movie and enjoying that three minute and fifty-four second exceptional mixture of traditional and fantasy worlds, I give Kendrick Lamar’s All the Stars music video three thumbs up and I recommend it to any pop, hip hop, culture or fantasy fan.




Not So Tempting - Live Theatrical Performance review

Image from www.govst.edu

Before watching The Tempest, a play written by William Shakespeare, I decided to read the book to familiarize myself with the plot and its characters. The old English style of writing was difficult to understand at times, but I was able to grasp that the book was about love and forgiveness.

Every year the National Drama Company produces and directs a play found in the Caribbean Secondary Education Certificate Literature syllabus and this year’s adaption of The Tempest was directed by local directors Esther Hamer and Keron Bruce. Clinton Duncan, an actor in the play, did the cast’s make-up.

Walking into the National Culture Centre, I was shocked by the lack of attendance for the legendary romance and tragicomedy play. I could only assume this was due to the lack of advertisement on the drama company’s part. I do not recall seeing or hearing any advertisements about the play, and only found out about it when a friend sent me a flyer on a social media application.

On stage were two huge props painted in green and brown, made from wood and cardboards which represented a tree and a tree house. Throughout the play, three background actors pulled the tree house (which was used by the cast) to different sections of the stage during every scene.
 The play, which started 20 minutes late, began with a video of the sailors struggling to keep their boat afloat the turbulent sea.

I was pleasantly surprised by Mark Luke-Edwards’ performance as Prospero. I have seen Edwards showcase his talent in many comedy plays throughout the years so I was thrilled to see him in a dramatic role. His fluent delivery of the old English language made it easy for me to follow the character’s journey from a man bent on seeking revenge by using magic to disrupt the sea (The Tempest) to a man willing to forgive. Lorraine Baptiste, Akbar Singh and Onix Duncan, who portrayed Ariel, Trinculo and Caliban respectively, had me laughing with their comedic timings.
The costumes, designed and made by Esther and Jonathan Hamer, and Le Tisha Da Silva, though looked to be from the 17th century era, were not completely secured. Trinculo’s costume became undone during a scene, revealing the microphone. Some actors also decided against removing their personal jewelleries and this did not fit in with the story. As the play went on, I was entertained by a pianist and a vocalist who delivered the live music. The lighting was put to great use during the last scene of the play when Prospero spoke to the audience about forgiveness.


When the supporting cast delivered their lines to the audience, I began to feel bored. I assume the same can be said for the rest of the already sparse audience since after the 20 minutes intermission, majority of them had left. I would recommend persons desirous of seeing this play to read the book or watch one the films in advance. This was a good first night’s performance.



National Culture Centre
13th April, 2018

Done by: Sheneca Castello

The Best Lie - Movie Review


Image from www.battleroyalwithcheese.com


Whenever you think the world is too dark, a movie like ‘The Good Lie’ comes along to remind you there are still good people left.

The ‘The Good Lie’ was filmed in Kenya, India, and the USA, and released in 2014. It stars Reese Witherspoon, Corey Stoll and Ger Duany. This biographical and dramatic film follows four orphaned child refugees escaped Sudan’s Civil War in 1988, and later journeyed to the USA in 2001 to find a better life. The film shows how a ‘good’ lie was used to save a life. It also constantly reminded you how faith, family, kindness, and guilt shaped these individuals into who they are today. Philippe Falardeau, who directed this work of art, is no stranger to documentaries about immigrants since he also lent his talent to Pâté chinois, a film about Chinese immigrants in Canada.

The film used flashback and narrative techniques at the beginning, helping viewers to understand the children’s journey. Traveling through the desert, it was shown how they fought off a jaguar and drank urine to survive which emphasized how dangerous the desert was. The film’s soundtrack was very touching and appropriate for the scenes shown. The acting by the younger children and their adult counterparts were convincing, especially since it was revealed at the end that the adults were child soldiers. The film, however, glossed over how difficult life in America would be for three black immigrants. There was no racism, and everyone they met showed kindness.


I thoroughly enjoyed this film. It was nice seeing people sacrificing because of the goodness of their heart and trusting in their faith, when it feels like all hope might be lost. Watching these orphans who lost everything get sent to a foreign country not knowing what to expect, still choosing to love and serve their God is very admirable. I do not know how many [persons] would still be this faithful after enduring so much hardship. This is a wonderful film for persons who enjoy “light at the end of the tunnel” success movies, and movies based on faith. This film will surely stay with you long after it ends.

Book Review - Green Days by the River

Image taken from Trinidad & Tobago's Newsday


“Most of these boys and girls I did not know, for I was new to Pierre Hill.” The short story Green Days by the River written by Michael Anthony was published in 1967 by Houghton Mifflin and in the 1973 Caribbean Writers Series. The story focuses on how the male protagonist grew into himself after moving to a new village. This book comprises of family, friendship, love, youthfulness, laughter and maturity all wrapped up in 192 pages.

The story occurred in the Inland village of Pierre Hill, Trinidad, and is about the life of Shellie Lammy, a fifteen year old boy. Shell as he was normally called moved to Pierre Hill form Radix due to his father`s illness. Shortly after his arrival he met Mr. Gidharee who passed by his house every morning with his four Tobago dogs. He even becomes familiar with four boys who he saw pelting down cashew. Shell becomes attracted to Mr. Gidharee daughter Rosalie who he calls a ‘Dougla’. Mr. Gidharee becomes drawn to Shell and takes him to his plantation ‘Cedar Grove’. His generosity in turn makes Shell begin to see him as a father figure, however, Shell did not tell him about his attraction towards his daughter. He (Shell)later found out that Rosalie might be in love with Joe on of the four boys. It was Lennard (another boy from the group of four) who introduced him to Joan the girl from Sangre Grande, at the Discovery day fair and as they danced together Shell felt attraction. What would become of this attraction?

As time passes we see the protagonist being caught in situation that seemed too difficult for him. As the story progress we sense that Mr. Gidharee saw Shell as a potential suitor for his daughter. He (Shell)sensed this because of how often they went to the plantation and by the gifts given to him. Shell even noticed that Rosalie had become attracted to him (page 95), and was worried that she told someone what happened between them on Boxing Night. Shell’s father was rushed to the hospital and was in critical condition. Will the dog attack affect their relationship? Is Mr. Gidharee generosity pure? What happened between Shell and Rosalie on boxing night?  What will happen to Mr. Lammy (Shell’s father)? The only way to answer these questions is to read the book.

The stories plot was surprising because of the sudden changes to each characters role as they matured and begin to make decisions for themselves. One of the best characters in the book was Mr. Gidharee because he seemed unpredictable, readers may have a hard time figuring out who he really is. Another character that would grab reader’s attention is Shell, because we see what his life was like as he dealt with the situation around him whether directly or indirectly. Shell was one of the characters whose personality stood out. One of the books greatest strengths was the use of informal language, because it was West Indian we see the use of slangs, creole and descriptive words that allowed readers to imagine and feel what the characters saw and felt. Its weakness was that the story was left incomplete as readers wonder what happened to Joan. This book is strongly related to another novel written by the same author, ‘The year in San Fernando’ since both books deal with the world of a child and the West Indian reality (pg. vii).

Green days by the River was basically about the coming of age or the growing maturity of a boy called Shell and the joys and struggles that he faced. This book would be recommended for teenagers and lovers of literature, it illustrates what the life of a West Indian child was like.